Not a price list — an explanation of what you are actually paying for, so you can judge any quote you receive.
Gram Bangla Eid spot — no location, no cast, no shoot dayOn a typical commercial shoot, the footage itself is a minority of the budget. The money goes to:
A shoot day is expensive not because filming is hard but because roughly twenty people and a truck have to be in one place at one time.
Nearly all of the middle of that list. No crew to book, no location to permit, no equipment to hire, no catering, no insurance, no day rates.
That is a genuine structural saving rather than a discount, which is why the difference tends to be large rather than marginal.
This is the part that gets oversold.
Cheap is not the point. If a quote is cheap because nobody is writing a script, you will get exactly that. The savings should come from removed logistics, not removed craft.
Ask what you're licensing. Usage rights vary a lot between producers. Check whether you receive full commercial rights on delivery, whether there is a time limit, and what the producer retains. Ambiguity here is worth more to resolve than a small difference in price.
Ask any producer: what do I own on delivery, how many revision rounds are included, will I see a script before anything is generated, and what happens if the concept isn't working. The answers tell you more than the number does.
I produce the thing this article describes. Tell me what you need.