Is this broadcast-ready?

Yes. Spots are delivered at broadcast resolution and framing, and have been produced for TV-style campaigns. Specific broadcaster technical specs can be matched on request.

Can we get multiple variants of one concept?

Yes, and this is where the format is strongest. Once a concept is built, producing additional cuts, aspect ratios and length variants is far quicker than reshooting.

Do we own the finished commercial?

You receive full commercial usage rights on final delivery, covering broadcast, paid media, social and web, with no extra licensing fees and no time limit. The only right retained is showing the finished work as a portfolio piece, and confidential projects can be agreed in writing beforehand.

AI Commercial Production — TV-Style Ad Spots & Paid Social

How the work runs

Every project follows the same path regardless of type. You send a brief or an idea. I come back with a script and a storyboard before anything is generated, because a weak script produces a weak film no matter how good the tool is. Once the shape is agreed, I generate, voice, edit and grade, then deliver in whichever aspect ratios you need.

There is no crew to schedule, no location to book and no shoot day to insure. That is where the speed comes from — not from cutting corners on the story.

Who this is for

Brands running campaigns, and agencies who need production capacity without adding a line item for crew, location and talent.

Also anyone who has been quoted for a conventional shoot and started looking for another way.

What this format handles well

Festival and seasonal campaigns with a hard air date
Product ads where the setting would be expensive to build or book
Concepts too big to shoot literally — scale, weather, crowds, impossible moves
Variant-heavy paid social where one idea needs eight cuts

Not just cheaper versions of shootable ideas —
ideas that were never shootable.

Gram Bangla

Eid campaign — family scene

A living room that never existed

A warm family scene set inside a home during Eid — the kind of spot that normally needs a location, a cast, a lighting crew and a day.

Produced without any of them, and delivered as a broadcast-style commercial.

Street-scale concept

A shot that cannot be filmed

A second concept put a giant product box into a city street. No permit, no crane, no road closure — because there was no street.

What it does not replace

Where I'll tell you no

If your campaign depends on a specific real person, a celebrity endorsement, or documentary footage of an actual event, you need a camera. I'll say so rather than take the brief.