Cinematic shorts & mini-drama.
Stories built to be watched in one sitting — or binged episode by episode.
Who this is for
Brands and studios who want a story with an actual arc, not a fifteen-second hook — a short film that earns attention rather than interrupting for it.
Also anyone eyeing the mini-drama format: a serialized story released in short vertical episodes, built to be tested before it's scaled into a season.
Two formats, one pipeline
Cinematic shortCinematic short
A single, self-contained story — usually one to four minutes, landscape, built with the pacing and craft of a film rather than an advert. One character arc, one resolution, one deliverable.
The Last BloomMini-drama
The same craft, serialized — short vertical episodes released in sequence, each one written to end on a reason to watch the next. The format that's driving most of the growth in mobile-first video right now, and one AI production is naturally suited to, because a season's worth of episodes no longer means a season's worth of shoot days.
as many episodes as the story needs.
Where the consistency already exists
A mini-drama lives or dies on whether the lead character looks like themselves in episode forty the way they did in episode one. That's not a new problem for this studio — it's the same discipline already proven on a 40-plus episode kids' series, where the same characters had to hold their look, voice and personality across an entire run.
The same character-consistency pipeline that made that series work is what a mini-drama needs, just pointed at a different audience and a different tone.
Serialized cast
Cinematic pacing
Story-first
Character-drivenWhat actually drives the price
Same rule as everything else on this site: price is never tied to which tool made the pixels. It's tied to what's being asked for.
For a cinematic short, that means runtime, number of scenes, and whether it's landscape only or delivered in a vertical cut as well. For a mini-drama, it means episode count, episode length, how many characters need to stay consistent across the run, and how many revision rounds are built in. A single pilot episode is priced very differently from a committed twenty-episode season — which is exactly why a pilot is the recommended way to start.
Questions
A cinematic short is one self-contained story, usually one to four minutes, built like a film rather than an ad. A mini-drama is a serialized version of the same craft — short episodes released in sequence, each one built to earn the next.
No. Come with a brief idea, a character, or a full script — whichever you have. I'll shape it into a workable story, storyboard it, and build out episode arcs and cliffhangers if it's a series. The creative direction stays yours; turning it into a finished film is mine.
Yes, and it's the recommended path. A pilot episode proves the character, the tone and the format before a season-length commitment is made — the same logic as a concept film, applied to a series.
Both. Mini-drama episodes are typically vertical 9:16 for mobile platforms; cinematic shorts are usually landscape. The pipeline handles either, and a project can be delivered in both formats if it needs to live in more than one place.